Historical
Here are a collection of old projects and shows, in most no more presented, choose a link below:

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"M.C.C.R.E. ²" or Movements Common and Daily repeated to Extreme and the Square were born of the need of talking about a ideological Massacres that the humanity suffers now in the end of this times, the man lost your value for one of their inventions: the capital.
What is more important, the man or what he possesses?
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Working on the mime corporal technique the movements, the text aids the movements, building by the formula: gesture, emotion and ideas. Using and acting with masks, the actor representing archetypes, it is not one more man that is there, but an idea.
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The electronic music are composed and executed exclusively for the show by Margo Ribas, she used daily's sounds putting jungle and tecno's beat, building a fascinating resonant atmosphere for the show. |
Conception Text and Performance: Victor Paulo de Seixas.
Direction: Vania Leite.
Making of the masks: Rita Della Rocca.
Set design and Models: Neide Nascimento.
Original soundtrack: Margo Ribas. |
Summarizing:
"M.C.C.R.E. ²" is a solo-show of Physical Theater with masks, based on mime and an original electronic soundtrack.
Discussing about the materialism and selfishness, we showed a man waking up of his "dream of happiness", facing the reality and questioning:
"What is more important, the man or the one what he possesses? " |
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"One Clown Show! " It is a pantomimic show by Victor Paulo of Seixas, in show Clown Tozinho go through several styles of interpretations in varied scenes, going from Marcel Marceau's classic pantomime, modern pantomime and traditional clown's scenes, all with themes and varied styles, demonstrating in a funny way several faces of the clown. |
The show is composed by several sketches of different styles, and was structured to maintain a dramatic line from beginning to the end, Tozinho always find actions among the scenes, maintaining an agile rhythm and a firm dramatic structure until the end.
Looking for interaction with the public in many parts, Tozinho create a an integration atmosphere among the two parts, public-actor, generating a favourable atmosphere to the development of the show. |
Technical record:
Conception and Performance:
Victor Paulo of Seixas
Models: Kiki Guimarães.
Set design: Neide Nascimento and Victor Paulo of Seixas
script: Victor Paulo of Seixas.
Pictures: Lenise Pinheiro.
Soundtrack: Victor Paulo of Seixas.
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The Public.
The Show was prepared for the to be presented any age group, as it is used of an universal language, it can please an entire family, from the children to the grandparents.
Soundtrack:
The soundtrack of the show is composed of classical music , all of died composers the more than 60 years, and of free executions. |
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On the show:
Today the apostasy reigns on most of the people, "A Happy Day" is an invitation the hope and the optimism, showing a clown that faces several problems and always find a "easy way" to solve all difficulties, and are so many!
The show doesn't have words, taking the story to the audience in an intelligent and poetic way, touching and amusing from the newest to the adults because works with an universal language the gesture, filled by the soundtrack that relives classical music of unquestionable quality.
All this inside of the Psychedelic style of the end of the decade of 60 for the decade of 70 in that all elements of the show be inspired.
Funny, intelligent and original, that summarizes "A Happy Day."
Created for to the young public, the show stimulate the intelligence of the audience and exalting the creativity and the imagination, the show work inside this imaginary universe of the clown.
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The happy days...
the life of clowns never be easy, the universe seems always to be conspiring against them, rains when has to make sun, things falls and people comes when is not time to and the objects riot seeming have own life, but in the end of the day,
they get what they want, therefore same with so many difficulties, in trivial things, everyday is a happy day.
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Technical record:
Duration: 40 minutes
Conception and Performance:
Victor Paulo de Seixas.
Direction: Vânia Leite.
script: Victor Paulo of Seixas
Puppets:
Neide Nascimento and Miguel Vellinho.
Mobiles: Geraldo Jr. and Neide Nascimento
Set design: Neide Nascimento and Geraldo Jr.
Soundtrack:
Fernando Mastrocolla and Victor Paulo of Seixas.
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